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| Susan Derges - Under the moon |
At
first glance the images from this series by Susan Derges look like
quite simple photos, but under closer examination its noticeable that
they are not. There appears to be a few possible processes used to
get aesthetic seen in these images, photogram, camera-less image
recording and collaging.
When
looking closely at the images you can see water ripples and movement,
suggesting the images taken are reflections on a pool or river
looking up at the moon. The images could also be made using a
camera-less method of laying light sensitive paper under some water
and leaving it to expose, the branches and leaves would be
silhouettes, just shadows of an over hanging branch. The ripples
could be created by disturbing the water in some way, perhaps by
dropping something in moving the container with the water it in, or
by sending in vibrations.
I
think this process makes the image more part of the landscape, the
image becomes one with it, instead of having the camera recording an
image from afar, it cuts out the middleman (the camera) and records
whats there.
As
the aesthetic is quite different to a 'usual' photograph, it makes
the viewer stop and look at it, bringing questions as to how it was
made, why it was made, it plays on the viewers curiosity and gets
them intrigued. Recording the image in this way adds more elements to
the image, it adds layers, making it more complex and more
interesting, the texture from the ripples makes it more than just a
photo.
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| Dan Mountford |
Double
exposure processes can be done either in camera, post-production in
photoshop or in the darkroom. To do it in camera you simply expose
the first frame then wind the film back and expose again on the same
frame, ofcourse its more complex than it sounds to correctly expose
so that the final image is well exposed. To do it in photoshop simply
layer the images into the same document and set the layer blending
options to get the aesthetic required. To get the effect in photoshop
its much like the in camera method, but instead you expose one image
from a negative on to some paper, then using the same paper and a
different frame on the negative, you expose again to get the same
effect.
The
process of double exposure gives this abstract quality to the images
achievable by no other means. It gives a dream-like quality to the
images and the extra layers make them quite appealing and gets the
viewer to stop and look at them to see both scenes within the image.
The effect it can have ona portrait like this is one that shows
several perspectives at once, one of the person in the image, and the
other of the possible scene the person can see. Making it seem like
the person is at this place in the image, when in actuality they
could be very far away when the images were created and not related
to the scene at all.


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