http://www.carlwarner.com/
Carl
Warner is a English photographer who initially started with a career
in illustration in mind. Warner studied illustration at Maidstone
College of Art but soon discovered that photography was a better
medium suited for the kind of work he wished to produce. So after a
year of foundation at the college he moved on to London College of
Printing to undertake a course in photography, film and television.
After
graduating Warner became an assistant for the photographer David
Lowe. The a year later he set up his own studio nearby to Lowe's and
began work for ad agencies, design groups and PR houses. His main set
up was advertising photography, but later branched out to people and
landscapes.
In
the mid 90s Warner was loosing inspiration and motivation, it was
around this time that he discovered his own genre of photography
'foodscapes'. Foodscapes were basically just landscapes made out of a
variety of different foods, but put together so well, this became his
trademark style and has been practising it ever since.
On
his website it explains how he creates his 'foodscapes'. It explains
that the images are shot in layers, foreground, background, sky etc,
and then the images are put together in post production to create the
one. This is because its very time consuming to set up the scenes and
the food often wilts under the heat of the lights. Meaning if you
made the complete scene to be made at once, where you started won't
be looking as fresh as when you started. Making it in layers makes
the large scenes doable, and gives you more time to create so you get
the scene just right as well as the lighting. This would also bring
cost and work force needed down as there is less to do at once, and
most likely less waste as well. (C.
Warner. http://www.carlwarner.com/about-carl/
[Accessed: 16/12/13])
Warner
has this to say about his work;
“
Although
I’m very hands on with my work, I do use model makers and food
stylists to help me create the sets. I tend to start with a drawing
which I sketch out in order to get the composition worked out, this
acts as a blue print for the team to work to.”
“I
tend to draw a very conventional landscape using classic
compositional techniques as I need to fool the viewer into thinking
it is a real scene at first glance, it is the realisation that the
scene is in fact made of food that brings a smile that brings a smile
to the viewer, and for me that’s the best part”. (C.
Warner. http://www.carlwarner.com/about-carl/
[Accessed: 16/12/13])
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| Carl Warner |
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| Carl Warner |
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| Carl Warner |
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| Carl Warner |
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| Carl Warner |
I
find Carl Warner's work to be quite inspirational and feel it links
well with my project as a whole, and directly with my studio project
as its what I wanted to try for my own work. I think the colours of
the food within the images really make the food stands out because of
its vibrancy, my project will be shot in black and white and so will
loose the effect of all the different colours in the image, making it
harder for the viewer to see what the scene is made out of. Instead I
will be focusing on the the shape and textures of the foods within
the scene I choose to use. I will be taking the tip from Warner of
sketching out my scenes before I make them, as this will make it much
easier and faster if i know what I'm doing and making before I start,
this is so I can purchase the correct ingredients before hand, and
will be able to get straight on it so the food should remain fresh
throughout the shoot. As the main aesthetic of my main project
follows a minimalist fine art feel, I will be continuing this
look for my studio task, I will do this by making quite a simple
scene and having it on a white backdrop, the image won't be as
complex as the images by Warner, instead they will be just a part of
a scene.





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